Hail to the New Flesh







Hail to the New Flesh, solo show at White Crypt, London, 2017

Curated by Anaïs Lerendu





Sensorium, 2017
Palm wax, microcrystalline wax, epoxy, fibreglass, dye, plexiglas pipes, fish bladder, ginseng, dried octopus, Ethernet cable, aluminium pipes, clamping collar, wood, jesmonite, 220 x 43 x 62 cm











Breathing Skins #1, #2, 2017
Epoxy, fibreglass, jesmonite, foam, 5/4 screen, multimedia player, stereo speakers
Video, sound, color, 3’ to 8’ loops, 58 x 48 x 22 cm







Inners chains #1, #2, #3, 2017
Plexiglas pipes, epoxy, fish bladder, ginseng, dried octopus, usb cables, aluminium, batteries, variable dimensions











physical self, 2017
Video installation, 16/9, 11’ loop, glass, plexiglas, mirror, variable dimensions
Video link on demand °













Mold II, 2017
Video installation, 16/9, 11’ loop, crumpled aluminum foil, variable dimensions
Video link on demand °

Text by Antoine Camenen (Fr)